Escape Artists

MATHEW TAYLOR

Escape Artists' origins distinguish it from the vast majority of performing arts companies. Founded in 1996, it has performed in numerous theatres throughout the UK and mainland Europe. It emerged from a critically-acclaimed theatre group founded by prisoners, and directed by Matthew Taylor, at HMP Wayland in 1990.
Its ethos and practice is largely determined by these roots, providing a bridge from custody to the theatre world for prisoners and ex-prisoners interested in a theatre career.

Escape Artists' remit has broadened to develop performing arts amongst groups on the margins of society. In 2000 and 2002 it hosted the bi-annual Edge Festival in Cambridge, incorporating art from the social margins into mainstream culture. Much of its work is in the Criminal Justice System. Its roots as a prison theatre group differentiate it from others working in the field, steeping it in knowledge of the penal system, several of its arts practitioners having experienced life from "the other side".

Prisoners attending its workshops come for a variety of reasons, not necessarily interest in theatre. Some come to break the monotony, certainly if they would otherwise be locked in their cells. Some come not knowing what the workshops entail, others come with friends on different wings they would rarely see otherwise. The result can often be a difficult group to work with.

The fact that the company's workshop facilitators include ex-prisoners gives it an edge other practitioners may not have. Prisoners be cynical about the company, even regarding them, at least initially, as exploitative. They may regard the activity as tangential to their lives and preoccupations. The discovery that Escape Artists includes ex-prisoners quickly dissolves initial barriers.

The company draws heavily upon its beginnings as a prison theatre group. Suspicion, if not outright paranoia, is a disease in penal establishments. Distrust of the authorities, and between prisoners, is rife. Life inside has a hierarchy - an armed robber serving 12+ years may consider himself an "aristocrat", refraining disdainfully from fraternising with fellow prisoners serving 6 months for shoplifting. Prison often instils a "look after number one" mentality. In such an individualistic environment, inter-prisoner relationships barely develop beyond the broadly superficial. The instigators of the group at Wayland quickly realised that these were obstacles that had to be removed. Theatre is a collective endeavour requiring a high degree of trust, discipline and application to be successful. Escape Artists bring those lessons to their work in prisons today.

The company prefers to work towards creating a devised production at the end of the workshop process. Much early work is devoted to trust and status exercises, often with a lot of physical contact. Prisoners often have reservations about looking foolish in front of their peers. Escape Artists tackles this head on with games and exercises where everyone looks foolish simultaneously. There is, hopefully, a keen emphasis on enjoyment, pleasure and fun - rare commodities within a prison regime.

Prisoners are told about Escape Artists' history and about the Wayland group, to illustrate what can be achieved and underline the necessity for mutual respect, self and collective discipline in achieving goals. The importance of these qualities quickly becomes apparent to participants through the games and exercises.

Founder member Paul Malcolm, an ex-life sentence prisoner, now works as a professional actor alongside working for Escape Artists: "There's no magic formula for what Escape Artists does. I think much of our success stems from a deep historical knowledge of the environment, the individuals we work with and how to devise and approach our work accordingly. Delivering a quality product also helps, of course. Being an ex-prisoner is an advantage. I've been through, more or less, what the people I work with are going through. There is a ready identification which breaks down barriers. This, combined with the quality of the work, gives a credibility to everybody attached to the company."

Contact:
Escape Artists, 91 Cherry Hinton Road,
Cambridge CB1 7BS,
tel: 01223 245945,
e-mail: houdini@escapeartists.co.uk
www.escapeartists.co.uk

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