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One of the features of the New
Audiences programme has been that it supported a number
of new and innovative projects with particularly challenging
groups. A particular thread has been working with homeless
people. Cardboard Citizens has a long and outstanding
history of working with this constituency, and drawing
in the RSC, complicated though the project was, put
a completely new perspective on the possible. Some of
the work with hard-to-reach groups characterised by
chaotic lifestyles clearly pushed the arts organisations
into new areas of experience. By way of background,
MAiLOUT invited some
professionals working with homeless people for their
views about where creative projects fit in. Neil Gordon
sums up the issues…
I have been working with rough sleepers and the homeless
for over ten years now, and yet still when I am asked:
"Why are people sleeping on the streets?" I am unable
to come up with a simple answer or a clear cause.
In our modern, affluent and sophisticated society
it seems anathema that something so tragic should
continue to be a problem, yet it clearly is. Despite
recent government initiatives such as the work of
the Rough Sleepers Unit, a special national task force
to deal with the issue, led by the homelessness czar,
the problem is not on the decline. Why is this?
Well, the most obvious issue is the lack of affordable
housing stock in this country.
With the introduction of the 'Right to Buy' policy,
council housing stocks were decimated, and it is now
a rare council that does not have a long waiting list
for reasonable accommodation. However, this issue
masks the seriousness and complexity of the problem.
The truth is that by the time someone ends up on the
street, they usually have a multitude of other problems.
Research consistently shows that the people who end
up sleeping rough are often some of the most vulnerable
in our society. Most of us have a safety net of friends,
family, or work to fall back on when times are difficult.
However, for some people this safety net is not so
easily available. Approximately one quarter of all
the people who end up on the street come from care,
and so often lack any sense of stability or support
in their early lives. Others, often women, are fleeing
difficult domestic situations or violent families.
A significant minority of rough sleepers are men who
have left the armed forces, and have been unable to
re-integrate with the rest of society. Also there
are a large number of homeless people who have mental
health issues that isolate them from help and support,
particularly since the closing down of many mental
hospitals in the 1980's. Many of these people suffer
appallingly on the streets. One man I worked with,
a former physics professor, was so paranoid and frightened
by rough sleeping that he glued all the rings he could
find to his fingers to protect himself from 'evil
forces'. His hands became infected and swelled up
- he had to have the rings and several fingers surgically
removed, and almost died. Often these kinds of serious
mental health issues go undiagnosed or untreated for
years, and being homeless does not improve your mental
health. All these reasons, and many more, indicate
that often by the time that someone comes to have
nowhere to live, they can already have many other
problems.
Additionally there is the issue of drugs and alcohol.
Often, if a person didn't have a substance misuse
problem before coming to the streets they often develop
it while there. When I worked in street outreach,
the rule of thumb was to try to catch people new to
the streets within three weeks, otherwise by then
the difficulties of being street homeless would have
created new problems for them. Alcohol and drug addiction
is rife among homeless people - alcohol particularly
is so cheap and easily available. It acts as a buffer
to the loneliness, misery and the sheer cold of street
sleeping. If most people found themselves standing
out in the cold and rain, with nowhere to go night
after night, I think that they maybe tempted to have
a drink or a smoke. However, this can often lead to
problems with addictions or worse. Unfortunately,
as has been repeatedly proved, substance misuse like
this has been shown to have disastrous and damaging
long-term effects for the individuals involved.
The problem with dealing with this situation for
professionals like me is the multitude of different
issues that have to be tackled in each individual
case. It's never as simple as finding someone a hostel
to stay in, some of which provide excellent accommodation
and support for rough sleepers. For example, a recent
distinction to be discussed is that of dual diagnosis
- which is essentially someone with mental health
problems who also uses drugs and /or alcohol. As can
be imagined in these cases, it can be extremely difficult
to get to the root cause of what the problem is. It
certainly needs more than a warm bed and a cup of
tea, life saving as these things sometimes are.
And it is in this area that other projects can prove
a very valuable source of support. Perhaps the most
debilitating aspect of being homeless is the shame,
the loss of self-respect and self-confidence. Creative
projects can provide this much needed input through
developing opportunities for people to express their
issues in new and different ways. They give people
an opportunity to gain back some of that lost self-respect
and take part in activities that may have been denied
to them in the past. In a large day centre I worked
in, the art group was extremely popular and regularly
put on exhibitions. In another a group called Street
Opera came in and encouraged clients to perform, which
culminated in a big show in Westminster Abbey, in
front of an illustrious audience. The rough sleepers
involved got a huge boost out of this, and still talk
of it today when I see them.
The secret about these events is that for most of
the homeless people involved it can be a huge achievement
just showing up. In a lifestyle so chaotic and vulnerable,
just keeping an appointment can be a major event.
When people have so many complex pressures on them
they rarely act predictably or rationally. However,
that's what makes this kind of work so important,
as building self respect and self-confidence is vital
in empowering people to make different choices in
their life, no matter how many practical measures
are put in place by workers like me. For most of us,
we never know exactly how or when we touch other's
lives or make them think about things - but then this
seems to me to be what art is all about.
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